Ableton has a long-held tradition of incrementally improving its DAW rather than radically altering it. Live 11, in that vein, features a large number of changes and improvements. These can be broadly split into three categories: enhanced tracking capabilities, new tools that will be primarily useful in a live performance context, and upgrades to Live’s existing sound generation, processing and sequencing capabilities.
The Suite edition of Live 11 includes four main new effects: PitchLoop89 (a pitchshifting effect inspired by an obscure, primitive digital pitch-shifter, the Publison DHM 89 B2), Hybrid Reverb (a dual algorithmic and convolution reverb suitable for both standard and sound design-esque reverbs), and Spectral Resonator and Spectral Time (which respectively create resonant comb filter-like and granular delay-style effects).
- Create with new devices. Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.
- Wavetable. Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Shape, stretch and morph sounds using wavetables derived from analog synths, and a range of other instruments and sounds. Start sculpting sounds right away—even without a deep knowledge of synthesis—or explore its rich palette and potential through an intuitive interface.
- Echo. Echo brings together the sound of classic analog and digital hardware delays in a single device—your new go-to delay. Drive and shape sounds with its analog-modeled filters, turn up the noise and wobble for vintage imperfections, or add modulation and reverb to create diffuse soundscapes, wailing feedback and more.
- Drum Buss. Drum Buss is a one-stop workstation for drums, capable of adding subtle character or bending and breaking drums to your will. Add warmth and distortion with drive and crunch, take control of dynamics with compression and transient shaping, dial in and tune boom and control bass decay with the dedicated low end section.
- Pedal. With separate circuit-level models of overdrive, distortion and fuzz guitar pedals, Pedal brings the character of analog stomp boxes to Live. The effect goes all the way from subtle to reckless—it excels at warming up vocals and other instruments, driving synth sounds or completely smashing drums. And of course, it sounds great with guitars.
- Stay in the flow. You’ll find improvements to Live that help you stay in the flow at every stage of your creative process, whether you’re getting ideas down, organizing your setup or editing the details of your music.
- Do even more from Push. Live 10 brings new functionality and new high-res visualizations to Push. Now you’ll spend even less time with the computer—whether you’re composing ideas, editing MIDI or shaping and mixing sounds.
- New melodic step sequencing layout. Simultaneously sequence notes and play them in from the same pad layout – the bottom half of the layout allows you to play notes in real time while the top half lets you sequence them.
- Advanced Device visualization. See Wavetable or Echo in rich detail on Push as you play. When mixing, you’ll see spectrum analysis on EQ Eight, as well as advanced Mid/Side and Left/Right EQ modes. Get real-time audio visualizations from Live’s Compressor: see threshold settings and compressor activity, plus set up sidechain routing.
- MIDI note view. Navigate and refine the notes of your pattern in context directly on the Push display. Press and hold a step in your sequence to zoom in and use the on-screen control to adjust velocity, note position and length.
- New library of sound. With new collections of Packs, Live 10 has more sounds that are ready for finished music, right out of the box. They’re set up for tweaking to your needs or taking in different directions. Plus the library has been reorganized to make it easier to find what you’re looking for.
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